Unlike other galleries, the Goffi Carboni Gallery has always devoted itself to art as an international phenomenon rather than one limited to local or Italian forms of expression. It has always taken a lively interest in the artistic manifestations of countries such as France, England and Holland, such countries being the source of several of the objects it displays. Italian, English, French and Dutch furniture as well as clocks, bronzes, chandeliers, drawings, watercolours and oils on canvas are all dealt in together with antique prints for decorative or collection purposes.
click on images to enlarge
|
About us:
Simonetti Palace and Simonetti Archive.
https://www.romasegreta.it/prati/via-vittoria-colonna.html
|
|
|
|
|
Dipinto ad olio su tela con velieri della Regia Marina Borbonica, sec. XIX
|
|
|
|
|
Attilio Simonetti (1843-1925), "La spagnola", matita e acquerello su carta. Esposto nella mostra "Studi, Schizzi e Scarabocchi".
|
|
|
|
|
Paul Gavarni (1804-1866), "Study of a seated man", pencil on paper. Gavarni was one of the first artists who inspired Mariano Fortuny y Marsal in his works. Exhibited in the exhibition "Studies, Sketches and Scribbles".
|
|
|
|
|
Italian school, "The judgment of Solomon and other studies", detail. Pen on paper. sec. XVIII-XIX. Exhibited in the exhibition "Studies, Sketches and Scribbles".
|
|
|
|
|
Mariano Fortuny y Marsal (1838-1874), "Studies of the years 1850-60". Pencil on paper. Particular. It bears an inscription by Attilio Simonetti: "1ยช Maniera M. Fortuny". Exhibited in the exhibition "Studies, Sketches and Scribbles".
|
|
|
|
|
Two of ten italian chairs in lacquered wood from the Louis XV period.
Provenance Manlio Goffi Collection.
|
|
|
|
|
Florentine desk in rosewood with inlays in various woods, Louis XV period, mid-18th century. Provenance Simonetti Collections.
|
|
|
|
|
Scatola da gioco in legno laccato con quattro scatole di fiches e stampine a chinoserie, sec. XVIII.
|
|
|
|
|
Various accessories: A French fan from the 18th century, a belt and necklace in gold and enamel from the Empire period, a series of French buttons in chromed steel from the end of the 18th century and two needle holders from the 18th century.
|
|
|
|
|
Mariano Fortuny y Madrazo (1871-1949) Printed cotton diagonal and cushion with the same design, Venice, 1920-40. 175x232 and 175 x 315 cm. From the Simonettti Collection.
|
|
|
|